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Bob Orsillo's "The First Time We Met" is a surreal artwork that beautifully captures the essence of human connection. The piece features two faceless figures holding hands, set against a dreamy sky filled with fluffy clouds and a floating red heart. The surreal elements, such as the heart in the sky, create a sense of magic and timelessness, emphasizing the significance of the moment depicted. The lack of facial details allows viewers to project their own emotions onto the figures, making the artwork universally relatable. Overall, the piece uses surrealism to explore themes of love and connection in a visually striking and emotionally resonant way.

Bob Orsillo's "Jack" is a surreal painting of a boy with a pumpkin head surrounded by other pumpkins. The painting explores themes of identity, conformity, and individuality.

Bob Orsillo's "Wondering Eye Bull" is a surreal painting of a curious bull with colorful tags on its ears. The painting explores themes of identity, perception, and the human capacity for wonder.

Bob Orsillo's "Time Travel" is a surreal painting that challenges our perception of time. A clock floats in the sky, a man stands frozen in a doorway, and a cabinet seems to defy gravity. The painting invites viewers to contemplate the passage of time and the human experience.

short description Bob Orsillo's "Apple On a Dish" is a surreal artwork featuring a vibrant yellow apple with a green sprout, placed on a dark, circular dish. The minimalist composition, contrasting colors, and geometric shapes create a visually striking and thought-provoking piece that invites viewers to explore deeper meanings and interpretations.

Bob Orsillo's "War" is a haunting surrealist painting that explores the destructive potential of nuclear power. The painting depicts a nuclear power plant topped with a mushroom cloud, symbolizing the devastating consequences of nuclear war. The contrast between the industrial structure and the ominous cloud creates a sense of unease and foreboding. Orsillo's masterful use of color and light further emphasizes the painting's message about the destructive power of human technology.

"Dittoing Down the Street" by Bob Orsillo is a surreal image featuring a group of faceless figures dressed in identical formal attire, including dark suits, white shirts, and white bowler hats. The figures are arranged in a grid-like pattern, creating a sense of uniformity and repetition. This artwork challenges the viewer's perception of individuality and identity, emphasizing themes of conformity and societal norms.

This surreal image by Bob Orsillo, titled "Superhero," features a stylized superhero with a smooth, light blue body and a prominent red emblem on the chest. The figure's face is obscured by a mask, and an exaggerated red headpiece extends dramatically from the top of the head. The background showcases vibrant yellow clouds against a blue sky, with a dark green treeline below, creating a dreamlike atmosphere.

Bob Orsillo's "Overton Window" is a surreal image that juxtaposes a stylized handgun against a vivid red backdrop, punctuated by soft, billowing clouds. A floating window frame at the top, divided into panes of clear blue sky and red, serves as a focal point, symbolizing the concept of the Overton Window in political theory. The contrasting elements of the serene clouds and the menacing gun create a sense of tension and challenge the viewer to reflect on the normalization of violence and societal boundaries.

Bob Orsillo's "Looking Back" is a surreal and evocative piece of art that captures the back of a person's head and shoulders, dressed in a black suit and wearing a black bowler hat. The background transitions from pale yellow to light blue, creating a serene atmosphere. The subject's downward-tilted head suggests introspection, inviting viewers to ponder the significance of "looking back".